Embroidery: A Heritage Craft That’s Anything But Old-Fashioned
If you hear the word “embroidery” and immediately picture a granny in a rocking chair, delicately stitching roses onto a cushion, think again! Embroidery is one of the oldest and most dynamic forms of textile art, and it’s making a massive comeback. From high-fashion runways to political protest banners, embroidery is proving itself as a heritage craft with a rebellious streak—and an incredible way to express yourself.
A photo from Làmhan’s first parent & child class after a lesson in embroidery with Nikkita
Embroidery: A Story Stitched Through Time
Embroidery has been around for thousands of years, dating back to ancient Egypt, China, and even the Vikings (yes, the Vikings embroidered!). Scotland has its own rich embroidery history, from the intricate crewel work of the 17th century to the stunning Whitework of the 18th and 19th centuries. These techniques were more than just decorative—they told stories, signified status, and were an essential part of a young person’s education, particularly for girls.
But somewhere along the way, embroidery was dismissed as old-fashioned, something only grandmothers did. The truth? Embroidery is one of the most versatile and exciting textile crafts out there, blending tradition with modern creativity in ways that can be deeply personal and even radical.
Detail from the Marian Hanging, embroidery done by Mary, Queen of Scots and Elizabeth Talbot, Countess of Shrewsbury (late 16th century). More information at https://www.vam.ac.uk/articles/prison-embroideries-mary-queen-of-scots?srsltid=AfmBOor3Q6AX6jfFb3ad6OSOV9ptIaZuHVCh6u_eYfSQ6OCc2oix1UBo
Not Just for Grannies (although grannies are amazing!)
Embroidery today is far from the dainty samplers of the past. It’s a craft that’s been reclaimed by artists, activists, and creatives who use needle and thread to make bold statements, challenge stereotypes, and add a unique touch to everything from denim jackets to sneakers.
Modern embroidery artists are stitching everything from feminist slogans and mental health affirmations to vibrant, abstract designs. It’s being used in high fashion, streetwear, and even digital art, with embroidered pieces turned into NFTs (yes, really!). And let’s not forget the power of hand-stitched protest banners—embroidered words can be just as powerful as those shouted in the streets.
A piece of embroidery which must have been stitched during the early days of the pandemic. I love how this piece of art is used to express how the artist was feeling at the time. Image: stock image from Squarespace
The Ultimate Tool for Self-Expression
One of the best things about embroidery is that you don’t need expensive equipment or years of training to get started. A needle, some thread, and a piece of fabric are all you need to begin creating something that is entirely your own.
Unlike fast fashion, where everything is mass-produced, embroidery allows you to make something one-of-a-kind. Want to upcycle an old pair of jeans? Add some embroidered flowers or an inspirational quote. Need a mindful, screen-free hobby? Stitching is a slow, meditative process that helps reduce stress and improve focus.
Upcycling old jeans with lots of little lazy daisy flowers. This technique can be easily achieved by beginner stitchers
Image: Squarespace Stock Images
Scottish Textile Artists Keeping Embroidery Alive
Scotland has a thriving community of embroidery artists who are pushing the boundaries of this heritage craft. Here are some names to watch:
• Nikkita Morgan – An Irish textile artist based in Edinburgh, Nikkita uses embroidery to explore socio-political, cultural, and environmental issues. She has led community projects like Inverkeithing Stitching In Time, using textile art to interpret local history. Làmhan is proud to work with Nikkita, and she is our freelance lead textiles tutor. (nikkitamorgan.com)
• Jilli Blackwood – A renowned Glasgow-based textile artist known for her unique “Slash and Show” technique, which combines hand-dyed fabrics with intricate embroidery to create stunning, textured works. (jilliblackwood.com)
• Kim McCormack – Based near Beauly in the Scottish Highlands, Kim’s embroidery is inspired by nature, using textile techniques to capture the rugged beauty of the landscape. (kimberleymactextiles.co.uk)
• Ruth Black – A textile artist in the Highlands who specializes in embroidery, feltmaking, and weaving, often incorporating elements of Scottish heritage and folklore into her work. (facebook.com)
• Nicola McEachran (NDM Handmade) – A jeweller and embroidery artist who blends traditional stitching techniques with modern, minimalist designs. (blog.folksy.com)
• EDGE Textile Artists Scotland – A collective of textile artists promoting contemporary embroidery and textile art across Scotland. (edge-textileartists-scotland.com)
Andrew Crummy, a Scottish artist renowned for his narrative embroidery, has significantly contributed to community art through the design of over 20 embroidered tapestries since 2009. His work often involves collaborative storytelling, engaging communities to depict their shared histories and cultural narratives. Notable projects include the Great Tapestry of Scotland, which illustrates the nation’s history through 160 panels, and the Battle of Prestonpans Tapestry, portraying the events of the 1745 battle. Other significant works are the Scottish Diaspora Tapestry, celebrating the global influence of Scots, and the Dundee Tapestry, which narrates the city’s rich heritage through 35 circular designs. These projects collectively form the Scottish Tapestry Trail, a testament to Andrew’s dedication to preserving and promoting Scotland’s cultural legacy through communal artistry. I am proud to know Andrew, and am proud to have been involved in one of his projects (the Dundee Tapestry).
A photo of me (Jo) showing some of my work to visitors to the Dundee Tapestry exhibition. I was one of the three main stitchers of this panel, and also ran a wee community crafts project where I took the panel all over Scotland and invited people to stitch a few stitches. Here’s a wee video I made about it: https://youtu.be/WjwS9GYTcMA?si=94VIYaeE_8Qyn7CF
Why Embroidery Deserves Its Place in Scotland’s Heritage
Despite its deep roots in Scottish history, embroidery—like many textile arts—is at risk of being forgotten. But by teaching these skills to new generations, we can keep this heritage craft alive and thriving. Whether it’s through traditional techniques or modern, bold designs, embroidery remains one of the most personal and powerful ways to tell a story through stitches. So, if you’ve ever thought embroidery was outdated, it’s time to pick up a needle and see for yourself. Stitch your thoughts, your dreams, your frustrations—whatever moves you. Embroidery isn’t just for grandmothers (though we should absolutely respect the embroidery queens who came before us). It’s for anyone who wants to make their mark—one stitch at a time.
